Mobility Fest photogallery

On February 21, 2025 (from 10.30 am to 5 pm) the Master’s degree in Mobility Studies community gathered for the second edition of the Mobility Fest. The event was meant to bring together academics, practitioners and students in the field of mobility & humanities, to promote knowledge-transfer by employing creative methodologies, and collect feedback from the Mobility Studies students. The event also featured a World Cafè, involving figures outside the academic community, and Gabriele Del Grande’s multimedial monologue “The Moving Century. A history of migration from the future”.

 

Here is a photogallery of the event.


Programme and World Cafè

On February 21, 2025 (from 10.30 am to 5 pm) the Master’s degree in Mobility Studies community gathered for the second edition of the Mobility Fest. The event was meant to bring together academics, practitioners and students in the field of mobility & humanities, to promote knowledge-transfer by employing creative methodologies, and collect feedback from the Mobility Studies students.

 

The Mobility Fest featured a World Cafè, involving figures outside the academic community, stakeholders and professionals related to the educational offer of our Master’s degree. The partnerships of this initiative include the Associazione Popoli Insieme, the Mobility Office Unipd, Meeple srl, Progetto Giovani (Municipality of Padua).

 

The event also featured Gabriele Del Grande’s multimedial monologue “The Moving Century. A history of migration from the future”.

 

A hundred years ago, visas and passports didn’t exist. Today, the bodies of fifty thousand migrants who drowned along smuggling routes lie on the seabed of the Mediterranean. How did we get here? And, more importantly, how will we get out of this? Gabriele Del Grande takes us on a journey through images and words, exploring the history and future of migration in Europe to provoke us with a visionary proposal. Il Secolo è Mobile is presented by ZALAB, in collaboration with CINEMAZERO.


Mapping the perception of the Polytheistic heritage in the city fabric of Ostrogothic/Byzantine Rome (500-750 ca.)

Mapping the perception of the Polytheistic heritage in the city fabric of Ostrogothic/Byzantine Rome
(500-750 ca.)

Postdoctoral project supervised by Prof. Maria Cristina La Rocca (March 2024 -August 2026)

Nicola Luciani

Starting from the last decade of the 5th century, the city of Rome was part of an Ostrogothic kingdom established with the formal consent of the Empire, that consequently maintained strong diplomatic and administrative links with the Italian peninsula. What is more, Byzantium was able to again impose direct imperial rule over the city from the mid-6th century, following Justinian’s wars in the West. From then on, for about two hundred years Rome was under the direct rule of the Emperor’s government, until the gradual waning of Imperial authority in the 8th century.
During such period, despite its peripheral position in respect to the political core of the Empire, the city of Rome was still regarded as a prime ideological centre of the Mediterranean oecumene. A crucial expression of such status within the urban fabric was represented by the Classical monumental panorama. Indeed, under Ostrogothic and Byzantine rule, Rome’s pre-Christian sacred structures were still actively employed to host
important public activities and to transmit civic symbolisms directed to the people inhabiting or visiting the metropolis.
As a central tenet of the project “PagByzRome – administration and perception of the Pagan heritage in the urban fabric of Byzantine Rome”, the city’s Polytheistic heritage is therefore employed to explore the relationship between the city-space and its inhabitants during the entire chronology of Ostrogothic and Byzantine Italy.
Accordingly, data regarding Polytheistic scared structures and sculptures are collected within a map of Early Medieval Rome, with the possibility of accessing information regarding the interested contexts. The map is structured according to a diachronic perspective, presenting layers corresponding to different main phases (Rome at the beginning of the 6th century, under Ostrogothic rule – Rome during the second half of the 6th century, after the Imperial conquest – Rome in the mid-7th century, under Eastern Imperial rule – Rome in the mid-8th century, around the end of Imperial direct control).
The mapped contexts are also presented in relation to prominent ritual routes winding through the city, including processions promoted by secular and religious authorities, such as Imperial adventus or Papal litanies.
The mapped Polytheistic religious heritage within the city fabric is indeed explored in light of its roles in the interactions among the city’s different social groups (including Church hierarchies, Gothic élites, Eastern government authorities, Latin-speaking inhabitants), each characterized by distinctive cultural roots that impacted their understanding of Rome’s Classical structures.


MAR | Mobile Art Residency Open Call (until 17 Feb 2025)

MAR | Mobile Art Residency Open Call (until 17 Feb 2025)

The MAR Mobile Art Residency call is now open! It promotes the realization of 2 artist residencies in Padua in spring 2025, focused on the theme of urban walking as an act of resignifying space and time. The residencies will lead to the production of 2 site and context-specific works in the Station area, to be inaugurated in November 2025. The call aims to stimulate dialogue between geographic research and contemporary art, exploring walking as: experiential knowledge; an act of poetic and political resistance; reflection on the body-landscape-movement relationship. The residency is a collaboration between DiSSGeA department, the MoHu Centre, the Museum of Geography and Progetto Giovani (Municipality of Padua)and is funded by Next Generation EU in the framework of WALC – Walking Landscapes of Urban Cultures (PRIN PNRR 2022, P2022X5L8B, CUP: J53D2301655001)

Application deadline: February 17, 2025 More info


The mobility of texts: past, present and future

The mobility of texts: past, present and future

“Mobilities” DiSSGeA Department Development Project (PSD 2023-2027)

The research project focuses on the history and future of text and textuality, drawing on scholarship in book history, media and communication studies, and digital history. It takes advantage of the extensive research that has converged at MoHu in recent years to design and implement a teaching program with the Tokyo College on the history and future of the text.

In the summer of 2024, Paola Molino and Federico Mazzini spent two weeks and one month, respectively, at the University of Tokyo, collaborating with Professors Michael Facius and Cintia Vezzani to co-teach the BA course “The Future of the Text.” The central inquiry addressed in this course sought to ascertain whether the “written word,” a concept with a centuries-long history, retains a future within the digital landscape. Contemporary trends, such as the replacement of novels by movies and subsequently video games as the predominant cultural form, the transition from text to audio and video in messenger apps and social media platforms, a concomitant loss of concentration and focus, and declining rates of functional literacy in many developed countries, appear to suggest a negative answer to this question. This is further compounded by the fact that, just a year after the emergence of major language models like ChatGPT, artificial intelligence has already begun to perform a significant amount of reading and writing on our behalf. In this interdisciplinary course, we approached these trends not as absolute truths, but as a point of departure to explore the intricate relationship between literacy, media, and society through a comparative lens. We examined long-term trends in diverse textual media, the evolution of technologies from the printing press to social media platforms, and the social contexts of reading and literacy. This enabled us to contemplate past, present, and future trajectories of textuality.

The subsequent phase of the project entails the execution of the Summer School “The Future of the Text” (June 16-20, 2025), which will be hosted at the Center for Advanced Studies in Mobility and Humanities in Padua and is supported by the Universities of Padua and Tokyo. The Summer School aspires to delve into the historical progression of textual practices and technologies, providing insights and stimulating debates on the present and future of texts. The program will feature a series of traditional lectures on the history of the book, digital history, the mobility of texts and maps, and the challenges of writing English texts in the era of AI. These lectures will be complemented by hands-on workshops in libraries, museums, and exhibitions in Padua and Venice. The Summer School will be offered to international postgraduate students from Padua and Tokyo. It will be a collaborative effort, with instruction provided by Paola Molino, Federico Mazzini, and two colleagues from the University of Tokyo, Michael Facius and Naoko Shimazu. Further details regarding the Summer School, including the call for applications, will be made available on this website by mid-February 2025.

Co-Principal Investigators:

Paola Molino
Federico Mazzini