Pearls From China | Presentation

Playing with ‘Variations on Mobility’, the four Creative Commissions teams in 2019-2020 have developed their projects along different trajectories traced by the unfolding movements of People, Objects, Texts and Ideas across times and spaces. As small groups composed of academics who have embraced art in their research practices, or artists working in collaboration with scholars across various disciplinary backgrounds, the Commissions engage different Theories and Methods of mobility, working with ethnographic, archival, historical, anthropological, geographical and creative methodologies. The following text and original images represent a short abstract realised by the team to help us follow the path of their creative work.

Pearls From China

Pearls from China explores routes and types of goods that have characterized the first migratory flow from China to Europe.

Pearls from China is a collaborative project between Ciaj Rocchi, Matteo Demonte and Daniele Brigadoi-Cologna. It is focused on the movement of Objects – fake pearls – but it is also strongly related to the movement of People: in particular, from the rural districts in the hinterland of Wenzhou to many countries in Northern, Central and Southern Europe.

The aim of this collaboration is to further understand how, in the Twenties of the last century, the trade of these fake pearls helped to set the course for the most important migration flow from continental China to Europe. The collaboration will document the beginning of this phenomenon with an animated short documentary.

Although extant archival sources and the relevant scientific literature in the field of migration studies have shed some light on the origins of the Zhejiang migration to Europe, many details remain unclear, like: the intermediaries in Shanghai, the importers in France, the routes that spanned the Eurasian continent and connected China to several European capitals and seaports.

Team:
Daniele Brigadoi Cologna, Insubria University
Matteo Demonte
Ciaj Rocchi


Of steel and (un)stillness | Presentation

Playing with ‘Variations on Mobility’, the four Creative Commissions teams in 2019-2020 have developed their projects along different trajectories traced by the unfolding movements of People, Objects, Texts and Ideas across times and spaces. As small groups composed of academics who have embraced art in their research practices, or artists working in collaboration with scholars across various disciplinary backgrounds, the Commissions engage different Theories and Methods of mobility, working with ethnographic, archival, historical, anthropological, geographical and creative methodologies. The following text and original images represent a short abstract realised by the team to help us follow the path of their creative work.

Of Steel and (un)stillness

Of steel and (un)stillness explores routiers’ social, cultural and material worlds through ethnographic and artistic practices. Routiers are men of African origin that recurrently drive old vehicles from Southern Europe to West Africa carrying with them spare parts, clothing, money remittances, bicycles, appliances, cosmetics, rice, personal luggage, etc. that are delivered, traded and/or bartered along the way. The uses and meanings of carried items lay beyond the mere functional and utilitarian approaches, or monetary value. All the exchanges and (dis)encounters generated by them are culturally located and play an essential role in the production of social relations and of social recognition while in mobility.

Of steel and (un)stillness consists of a kinetic installation that creates a peculiar soundscape, and an audiovisual installation. These pieces metaphorically invoke the transient and cyclical repetition of a polysemic web of floating spaces, places, people, practices, and objects. The resulting assemblages will be affective, speculative and layered with (re)significations.

Of steel and (un)stillness results from the collaboration between two anthropologists and filmmakers (Pedro Figueiredo Neto, ICS-ULisboa, and Ricardo Falcão, CEI-IUL) and an artist (Paulo Morais), and is embedded in a wider research and documentary film endeavor currently in post-production (http://yoon-film.com)

Team:
Pedro Figueiredo Neto, ICS-ULisboa
Ricardo Falcão, CEI-IUL
Paulo Morais


 


Mobility from a cultural perspective: connections between cultural histories, cultural geographies and literary studies

Mobility from a cultural perspective: connections between cultural histories, cultural geographies and literary studies

Project in collaboration with the CRPM (Centre de recherches pluridisciplinaires et multilingues), Université Paris Nanterre, projet ‘Espace, Déplacement, Mobilité’ (responsables Adrien Frenay and Lucia Quaquarelli)

In their recent delineation of the new subfield of Mobility and the Humanities, Merriman and Pearce (2017) focused on the specific contributions that a humanistic perspective can bring to the well-established field of mobility studies. First, the Humanities allow the exploration of the experience of mobility in addition to the factual movement of people, objects and ideas; second, they introduce a historical perspective, stressing the temporal dimension of mobility processes and practices; third, the Humanities work with texts and representations; forth, they are particularly capable of generating theoretical possibilities for the interpretation of mobility in its nuanced variations. Merriman and Pearce (2017) also underline the need to rediscover the alternative genealogies that offered early or implicit theorisation of mobility in the humanistic field. This project uses what Bal (2002) called a ‘concept based methodology’ to study ‘travelling concepts’ in the Humanities to propose a mobility-based methodology for fields such as cultural history, cultural geography and literary studies (but also visual and classical studies). The temporal frame extends from antiquity to the present and to possible futures. The mobility of people and objects, of ideas and cultural products, as well the contexts and the infrastructures hosting these mobilities may be captured from research angles that help not only to explore the meanings of movement but also to reimagine mobility studies from a humanistic and cultural perspective. How does the evocative concept of mobility impact our intellectual creativity? What is the potential of this concept to generate transdisciplinary and transmedial nexuses? If movement becomes mobility when it ceases to be factual evidence and becomes practice and discourse, experience and meaning (Cresswell, 2010), what are the different nuances of mobility in past, present and future times?

The project includes a Memorandum of Understanding signed by the University of Padova and the CRPM at the Université Paris Nanterre, networking activities, meetings and seminars, a joint conference, and the publication of an edited collection.

Coordinated at DiSSGeA by:

Tania Rossetto

Carlotta Sorba

Giada Peterle


MAPFLY project: cartographic WebGIS of the University of Padova

MAPFLY project: cartographic WebGIS of the University of Padova (co-financing)

The Mobility & Humanities Project of Excellence is a co-funder of the ongoing MAPFLY project, led by the Department of Geosciences and aimed at providing the University of Padova with new technological infrastructures to access, visualise and navigate the massive volume of historical map collections stored in several departments of the University. These cartographic collections are distributed over various libraries (in particular the Geography, Geosciences and Engineering libraries). Currently, these materials are not accessible via WebGIS platforms. Therefore, the project aims to provide the University with new dynamic tools to enhance the usability of the collections for topological queries (digitalization, archiving, implementation  of the web platform based on ArcGIS). This mobilisation of the cartographic heritage and knowledge of our University, scheduled for 2021, is critical to the Mobility & Humanities Project. Not only can the factual movements of people or materials be more effectively traced on historical and recent maps but also the cartographic heritage and knowledge of our University can be incorporated into new research and communication practices with the extra-academic audience through the public engagement’s initiatives promoted by the Museum of Geography.

About the MapFly PROJECT

The University of Padova claims an impressive cartographic heritage, dated from 1668 to the present day, distributed in various Libraries and Departments and not yet known as it deserves. In particular, the Geography and Geosciences Libraries preserve over 40,000 maps of various types, from topographic and geographical maps to geological, geothematic and historical maps.

Thanks to the Mapfly Project, funded by the call “Infrastrutture Immateriali di Ricerca” (Intangible Research Infrastructures) of the University of Padova and which entered its operational phase in November 2020, this cartographic heritage is made available to the public (fall 2021) through the creation of a WebGIS portal. This allows us to verify the presence of maps for the area of ​​interest by searching the basemap. As it regards historical cartography in the public domain, it also allows to view the georeferenced digital reproduction on the web and proceed with the download of the same in the form of a file (GeoTIF) to be used locally on a GIS device (including maps published in “Memorie di Scienze Geologiche”).

The Web App will greatly enhance the accessibility to the extraordinary cartographic resources of the University, which have been difficult to be consulted and searched through traditional catalogs until now. Through the WebApp it will in fact be possible to know the availability of all the cartographic heritage for the area of ​​interest, to filter it by type of map or on a temporal basis, and (for the part with a digital representation available) proceed with the diachronic study of a territory using the techniques of representations (transparencies) offered by the App or by downloading and superimposing the cartography of interest in a GIS.

The portal was developed on the model of prestigious international agencies, in particular USGS Historical Topographic Map Explorer, and involved transversal skills: expert GIS technicians for georeferencing and for the creation of an additional Web App dedicated to data entry and the development of the web interface; student collaborators for the description of the encumbrance polygons of the cartography; librarians for cataloging, for analysing descriptive metadata and for linking maps to both the catalog and the University repository of digital collections. A technological partner supported the development of the Web App and its installation on the server. The acquisition of the digital maps was carried out on a scanner developed for this service.”

Using the app is simple:

  • 1. Find or search for your place of interest.
  • 2. Select map categories, if needed.
  • 3. Click on the map view to see which maps are available for that location.
  • 4. Select the scale, if necessary, and use the timeline to explore thumbnails of the maps, see their extent and select the ones you need.
  • 5. Check in which libraries the maps are stored, with the link to the catalog Galileo Discovery in the side panel, or view the available maps..
  • 6. Use the slider for each map in the side panel to control its transparency and compare it to other maps.
  • 7. Download the georeferenced map, if you wish, or see the images in high resolution through Phaidra.
  • 8. Press the button Reset before changing place.

To report any problem or for more information about the project, please contact us at the following email address: biblio.geoscienze@unipd.it .

Videotutorial


Communities in the Early Middle Ages

Communities in the Early Middle Ages

Project in partnership with ECOLE FRANÇAISE DE ROME (COMMUNAUTES. À la recherche des communautés du Haut Moyen Âge : formes, pratiques, interactions - VIe-XIe siècles; P.I. Geneviève Buhrer Thierry, Université Paris 1 Panthéon Sorbonne and Maria Cristina La Rocca, Università di Padova, DISSGeA)

“Communities in the Early Middle Ages” is a five-years research project financed by the Ecole Française de Rome (2018-2022). It focuses its attention on small communities that are based on common practices on a local or regional scale, looking for their constituent elements. The exogenous notion of community makes it possible to orient our research not towards its essence, but towards the modalities of its implementation (i. e. through the lived space, collective memories, circulation and mobility through space) and to assess if the expression of its identity is conscious or if it is instead created or manipulated by an outside agent (i.e. group of people paying the same tax, or having to fight together).

Recent historiography reveals two main strands of research: the first one is interested in identifying the formation of religious communities within society; the second is interested in the process of  the institutionalization of communities. If communities never represent moral persons before the 12th century, nevertheless certain historians do not hesitate to define communities certain villages or group of villages from the Early Middle Ages, in relation to the territory and the emergence of the seigneurial lordship. W. Davies uses the concept of community territory to emphasize the fact that peasant ownership is not a series of isolates plots but constitutes a network of interrelations.

The scientific interest of such a study is based on the discussion of concepts from the social sciences such as the flexible notion of community of practice (E. Wenger): the members of a community are gradually trained through their participation more and more complete with the group activities. Their interactions with experienced members gradually transform them into full members, capable in turn of forming new members. We will also consider the modes of construction but also of dissolution/destruction of communities: construction by the norm, by processes of exclusion and inclusion, by the constitution of a hierarchy. Finally, we will tackle the crucial question of ideal communities: the study of the discourses that legitimize the community will shed light on the way it represents itself, reproduces itself, transmits its own memory and guides the construction of the identities of the subjects that compose it.

The project has brought together several conferences, which are currently being published by Brepols editions (Collection Haut Moyen Age).

Participants at Dissgea:

Maria Cristina La Rocca (P.I.)

Gianmarco De Angelis

Giulia Zornetta


Landscapes of Human Mobilities

Landscapes of Human Mobilities

Postdoctoral project supervised by Benedetta Castiglioni (Nov 2019-Oct 2020)

Laura Lo Presti

Addressing the contemporary European migration crisis from the vantage point of its maps, this research project explores the mediated landscape of institutional, mass-media, artistic, and mobile mappings that concern migration and cultural diversity issues. Drawing from fields of mobility studies, visual culture studies, and post-representational map studies, this interdisciplinary work reflects on the cultural and affective ecologies and the technological and political digitalities through which cartographic images represent and perform the condition of im/mobility experienced by migrant subjects. Adopting digital ethnography and visual analysis of cartographic media content, the project pays particular attention to the many unpredictable ways in which maps, as visual landscapes of human mobilities, elicit and embody a plethora of discourses, actions, and feelings about the migration crisis, its forms of hierarchized mobilities, and alternative imaginings of solidarity and hospitality.


Can Refugees Save the World? Post-Development Approaches to livelihood from Palestinian Refugee Camps in Lebanon

Can Refugees Save the World? Post-Development Approaches to livelihood from Palestinian Refugee Camps in Lebanon

PhD project supervised by Paola Minoia (2019-2022)

Yafa El Masri

A growing number of academics across the globe now share the conviction that the mainstream notion of development needs to be deconstructed to open a way for cultural alternatives that nurture and respect different forms of life on Earth (Kothari et al, 2019). The concept of post-development, which is squarely rooted in solidarity, has appeared as a way to defend the local against the global, giving value to community economics, human wellbeing and local traditions (Mathews, 2017). And while refugees have long been silenced by the humanitarian government and widely portrayed solely as recepients of humanitarian aid (Agier, 2011: Rajaram, 2002: Silvermann, 2008), this study rather explores innovative post development approaches to managing space and livelihood practiced by refugees, and even identifies the expansion of solidarity-based initiatives to the refugee hosting communities. This study attempts to demonstrate how refugees are agents of their own space and post development through a strong base of solidarity, rootedness and collective emplacement. This study takes Palestinian refugee camps in Lebanon as case of observation, utilizes postcolonial methods and Donna Haraway’s feminist concept of situated knowledge, to reflect on my own positioned rationality of growing up as a stateless Palestinian refugee in Lebanon’s refugee camps. Using long term participation observation, auto-ethnography and interviews in Lebanon and Europe’s Palestinian refugee community, the study finds that solidarity-based dynamics (cooperation values, food sharing and gift economies) tend to be increasingly replacing the shrinking humanitarian development aid and market activities within Palestinian refugee camps in Lebanon. Then, if “grassroots solidarity can transform the world” and if “Another world is possible”, and possibly another world is even necessary, along these lines, can refugees help change the world?

 

Keywords: Refugees, Livelihood, Post-Development, Pluriverse, Refugee Agency


Gender and mobility across the Mediterranean and the Red sea (19th and 20th century): Italy, Libya and Eritrea

Gender and mobility across the Mediterranean and the Red sea (19th and 20th century): Italy, Libya and Eritrea

Postdoctoral project supervised by Carlotta Sorba (Nov 2019-Oct 2021)

Silvia Bruzzi

The research project aims to examine human mobility phenomena that have crossed the Mediterranean and the Red Sea, from the late 19th century to World War II, focusing on the histories and experiences of Eritrean and Libyan women. Adopting a gender perspective and crossing visual sources (postcards, family photographs, newsreels, ethnographic documentaries) and written sources (legal literature and judicial archives in Arabic and Italian), the research will show that female actors are essential to understand the circulation of ideas, images and subjects across Italy, Eritrea and Libya. The scopes of the research are twofold. On the one hand, the analysis will highlight the impact of mobility phenomena (of ideas, images and people) on the social and legal status of Eritrean and Libyan women in the colonial context. On the other hand, it will trace and reconstruct the transnational trajectories of “exceptional normal” women who have crossed this space, subverting or inhabiting the social and legal norms.


«LiVE». Libri Veneti in Europe: Mapping the loans of Greek books of the Library of St Mark, from Venice to Europe

«LiVE».  Libri Veneti in Europe: Mapping the loans of Greek books of the Library of St Mark, from Venice to Europe

Postdoctoral project supervised by Margherita Losacco (Jan 2020-Dec 2021)

Ottavia Mazzon

The project «LiVE» studies the paradigms of mobility through two different but closely connected perspectives: mobility of physical objects (namely books) and mobility of texts. The aim is to map the impact that the Library of St Mark’s collection of Greek codices had on other European book collections in the 16th century, a crucial time for the affirmation of ancient Greek as part of the European élites’ cultural heritage and the formation of many Renaissance collections of Greek books. «LiVE» will provide the first critical edition and English translation of the earliest loan registers of the Library of St Mark, recording the book loans that took place between 1545 to 1559. Starting from the identification of the manuscripts that were effectively borrowed, the research will focus on tracing the copies that were produced, following the library loans with the objective of reconstructing their history, from the circumstances of their production to their present conservation site.


The march of General Sherman’s armies through South Carolina (1865)

The march of General Sherman’s armies through South Carolina (1865)

The research is conducted in collaboration with the Department of Geography at the University of South Carolina (USC)-Columbia with aims to develop a WebGIS in collaboration with the Center for Digital Humanities at USC.

General William T. Sherman’s armies visit to Georgia and South Carolina during the American Civil War is well-known throughout the Southern states. His march is remembered primarily through the plundering and devastation by his five armies in Sherman’s quest to end the war. What has been poorly investigated is the relationships between the individual paths of the armies and the environment. This geohistorical research aims to create a detailed GIS reconstruction of the individual routes of the armies in relation to 1) existing transportation routes at the time of the Civil War, 2) the wetlands environment and 3) episodic meteorological events. Comparisons of the existing transportation routes and routes the armies traversed as strategic choices are conducted.

The research methods includes both qualitative and quantitative analysis of data gathered from different sources – historical maps, memoirs, newspapers, diaries, photos and field surveys

Coordinated at DiSSGeA by: Silvia E. Piovan



contacts

For general enquiries about the project and the Seminar Series, please contact the Centre for Advanced Studies in Mobilities & Humanities: mobilityandhumanities@unipd.it 

For general enquiries about the Digital Laboratory for Mobility Research, please contact: mobilab.dissgea@unipd.it

University of Padova
DiSSGeA Department
History: Palazzo Luzzato Dina – Via del Vescovado 30
Geography: Palazzo Wollemborg – Via del Santo 26
The Ancient World: Palazzo Liviano – Piazza Capitaniato 7
PADOVA (Italy)